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A One-Year Anniversary of Fading Ads of New York City (History Press, 2011) by Frank Jump – The First 10,000 Book Review

You could blame Robert Moses, which seems to be the fashion, or you could say it’s just the American way, that unique form of active amnesia we seem to have that means forgetting vast swaths of our history, and either painting over or demolishing the rest; either way, huge amounts of our urban landscape have been “made new” and made over, with much history — architectural and cultural — being lost along the way. We can see those faded fingerprints around us still, sometimes in lingering architectural details on the buildings that have survived one renewal or gentrification too many, and other times in the faded, hand-painted signs that cling stubbornly to those same buildings.

That brings us to Fading Ads of New York City, written by Frank Jump, the curator of the long-running Fading Ad website. I’ve lost track of how many websites have spawned books in the last few years, and how many of those books I’ve passed up because I couldn’t see myself reading them more than once, regardless of how many times the website in question made me laugh, made me think, or gave me goosebumps. With that said, I was very happy to come across this book, which takes some of Jump’s best shots and writing, and puts the lot of it between covers. – Read more @ The First 10000 Reviews  Fading Ads of New York City by Frank Jump.

Riis Park Parking Lot Becomes A Garbage Dump – Hurricane Sandy Aftermath

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

Fire-Ruined Homes in Belle Harbor – Beach 129th Street – Hurricane Sandy Aftermath

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

Police Commissioner Raymond Kelly Pays a Visit to Fire-Ravaged Harbor Light Pub – Belle Harbor, QU – Hurricane Sandy Aftermath

© Frank H. Jump

© Frank H. Jump

Kelvin Bottom – Nautical Instruments – Compass Adjusting – Charts – Books – Navigational Supplies – Montréal, QB

© Frank H. Jump

I Dream of Jeannie bottle © Vincenzo Aiosa

Edifice De La Sauvegarde Cie D’Assurance Vie – Dupuy-Ferguson – Place Jacques Cartier – Montréal, CA

© Frank H. Jump

In the nineteenth century, French Canadian businesses that offer life insurance were mutual. These companies do not have shareholders, they belong to the policyholders. Founded in 1902, The Backup is the first company life insurance share capital under the control of French Canadians. Under the impetus of economic nationalism, William Narcisse Ducharme gathered around this project a team of politicians and businessmen, including Henri Bourassa, federal politician and future founder of Duty, Hormidas Laporte, Mayor of Montreal from 1904 to 1906 and President of the Provincial Bank, Senator Raoul Dandurand and Narcissus Pérodeau, later Lieutenant Governor of Quebec. Safeguard in 1914 moved into a new building at 150 Notre-Dame, she holds up in 1976. 

In 1915, it is the fifth financial institution private French-Canadian behind the three chartered banks and Mount Royal Insurance Company against fire. But it is far behind the major companies in Quebec mutual aid: the Society of French-Canadian artisans, St. Joseph Unions and the National Alliance. Safeguard growth will be slow but steady. In 1962, the family sold its controlling interest Ducharme movement Caisses populaires Desjardins. From 1965 to 1978, the Maison des arts Safeguard house built in 1811, adjacent to the headquarters, will be dedicated to the dissemination of the arts. – Old Montréal

© Frank H. Jump

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Seed companies played an increasingly important in Quebec in the mid 19th century. Before 1850,  farmers produced their own seed. The importation of new plant species included the United States and Europe (France, England, Netherlands …) which made you gradually put aside traditional varieties. Many of these companies became successful and brought exotic new flavors and diversity to farmers but also for families who often had a [household] garden. As they were an important link in the introduction and evolution of tastes [and variety], we thought it was relevant to paint a picture of them: Dupuy & Ferguson.  – Gardens of Yesteryear

At 38 Place Jacques-Cartier, the grain trade commanded  a notable presence with Dupuy & Ferguson, importers of grains, who occupied the premises from 1888 until 1964.  – Old Montréal

Word of the Week – Sea-change

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Sea-change or seachange is a poetic or informal term meaning a gradual transformation in which the form is retained but the substance is replaced, in this case with a marvellous petrification. It was originally a song of comfort to the bereaved Ferdinand over his father’s death by drowning. The expression is Shakespeare’s, taken from the song in The Tempest, when Ariel sings,

“Full fathom five thy father lies,
Of his bones are coral made,
Those are pearls that were his eyes,
Nothing of him that doth fade,
But doth suffer a sea-change,
into something rich and strange,
Sea-nymphs hourly ring his knell,
Ding-dong.
Hark! now I hear them, ding-dong, bell.” – Wikipedia

The Smith Company – Wilkes-Barre City Schools 189 – Hazle & Blackman – NEPA

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Wholesale Only – Distributors of Draperies & Upholstery

© Vincenzo Aiosa

© Vincenzo Aiosa

Featured Fade – Birra Itala Pilsen – Via Angarano, Bassano del Grappa (VI) – Diego D’Alba

Bassano del Grappa – Vicenza © Diego D’Alba

Birra Itala Pilsen

[Founded] in 1890, Padua Beer Cappellari recognized in 1916 by Rag. Henry Olivieri. In 1919, after the merger of Cappellari beer with beer Maura, a second factory in Padua, and [with] the input of the partner Giovanni Battista Fridge, the name was changed to Birra Itala Pilsen… History of Italian Beer

Tavern Trove dot com

Super Collection – Italian Beer Part Three

“Birra Itala Pilsen,” a vintage advertising poster by Leonetto Cappiello c. 1920 – CLICK FOR LARGE IMAGE

Leonetto Cappiello (9. April 1875 in Livorno, Italy – 2. February 1942 in Cannes, France) was an Italian poster artdesigner who lived in Paris. He is now often called ‘the father of modern advertising’ because of his innovation in poster design. The early advertising poster was characterized by a painterly quality as evidenced by early poster artists Jules Chéret, Alfred Choubrac and Hugo D’Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm. – Wikipedia

Wikipedia

Germania Fire Insurance Company Bowery Building – Barber Shop Manufacturing Equipment – Pyramid Sign Co – 357 Bowery

© Frank H. Jump

GERMANIA FIRE INSURANCE COMPANY BOWERY BUILDING, 357 Bowery, Manhattan
Built 1870; architect, Carl Pfeiffer; builder, Marc Eidlitz

© Frank H. Jump

Designed by a prominent German-American architect and built in 1870, the Germania Fire Insurance Company Bowery Building recalls the time when the Bowery was a major thoroughfare of America’s leading German-American neighborhood. Known as Kleindeutschland, this neighborhood was home to hundreds of thousands of New Yorkers of German descent, and was “in fullest bloom” when this building opened.

The Germania Fire Insurance Company was founded in 1859, counting many prominent German-born New Yorkers among its executives and directors; the firm was prospering when it constructed this building to house its Kleindeutschland office, although it moved this office farther up the Bowery after little more than a decade. The building housed tenants from the time of its opening, and by 1880, its residents included Irish, German, and Chinese immigrants. Between 1900 and 1920, industrial tenants displaced its residents, and in 1929, the building was purchased by members of two families who manufactured barber-shop and beauty-parlor equipment in the building into the early 1970s. Residents started returning by the mid-1970s, and today, the building is entirely residential. – NYC Landmark  Preservations Committee 

Barber Shop © Frank H. Jump

Pyramid Sign Co. © Frank H. Jump

Pyramid Sign Co. © Frank H. Jump