
© Frank H. Jump

© Frank H. Jump
Peter Schuttler has often been referred to as the “Great Chicago Wagon King” in Midwestern U.S. lore. He was born on December 22, 1812 in Wachenheim, Germany and died on January 16, 1865 in Chicago. – Wikipedia
vintage mural ads & other signage by Frank H. Jump & friends

© Frank H. Jump

© Frank H. Jump
Peter Schuttler has often been referred to as the “Great Chicago Wagon King” in Midwestern U.S. lore. He was born on December 22, 1812 in Wachenheim, Germany and died on January 16, 1865 in Chicago. – Wikipedia
Posted in: Spokane WA, Wagons.

July 2009 © Vincenzo Aiosa

© Frank H. Jump
The Coast Trading Company Inc. Grain Elevator is a 120 foot silo in Spokane built in the early modernism style of the late 1920’s and has been the subject of other urban photographers (Flickr).
Posted in: Grain Silos, Spokane WA.
Posted in: Bus Services, Bus Terminals, Motels, Wallace ID.

© Vincenzo Aiosa

© Vincenzo Aiosa

© Vincenzo Aiosa

© Vincenzo Aiosa
Posted in: Nabisco, Spokane WA.

July 2009 © Frank H. Jump
Posted in: Cigars, Spokane WA, Tobaccoania.
Posted in: Soft Drinks, Spokane WA.
Posted in: Bakeries, Cooperatives, Gaia Son, Leiden NL, Lowlands Correspondent, Repainted Fading Ads.

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump
Posted in: Gent BE, Graffiti, Street Art.

© Gaia Son

© Gaia Son

© Gaia Son
Vilmos Huszár (1884–1960) was a Hungarian painter and designer. He lived in The Netherlands, where he was one of the founder members of the art movement De Stijl.
Huszár was born in Budapest, Hungary. He emigrated to The Netherlands in 1905, settling at first in Voorburg. He was influenced by Cubism and Futurism. He met other influential artists including Piet Mondrian and Theo van Doesburg, both central figures in establishing the De Stijl movement with Huszár in 1917. Huszár also co-founded the De Stijl magazine and designed the cover for the first issue.
In 1926 he created a complete visual identity for Miss Blanche Virginia cigarettes, which included packaging, advertising, andpoint of sale displays. The concept drew on the imagery associated with the emergent “New Women”, or Flappers. The Flappers were perceived as young, single, urban, and employed, with independent ideas and a certain disdain for authority and social norms. The smoking of cigarettes was closely associated with their newfound independence. –Wikipedia
Posted in: Cigarettes, Gaia Son, Leiden NL, Lowlands Correspondent, Repainted Fading Ads, Tobaccoania.
Tagged: De Stijl · Dutch Modernism

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