
Go - Gulf Station - J.F.Kennedy Blvd - © Frank H. Jump

Go - Gulf Station - J.F.Kennedy Blvd - © Frank H. Jump
This is the unaltered shot. I took some liberties the other day and I’m glad to have done so.

© Frank H. Jump
vintage mural ads & other signage by Frank H. Jump & friends
After arriving at my polling place at 6:15AM on P.S. 269 on Nostrand & Newkirk Avenues, I realized I should have set my alarm clock for an earlier time (and should NOT have played the snooze button twice) because the line stretched around the block all the way past New York Avenue. Talk was hopeful on the line but my hopes were dashed as I got to my election district’s line since the machine was inoperable and I had to fill out a paper ballot. Something about pulling the handle across, clicking the keys and pulling the handle back again that is so aurally and physically satisfying. Didn’t need to videotape this so I photographed it.

Long lines on election day - Nostrand Avenue - Flatbush - © Frank H. Jump

Line to polling place on Nostrand Avenue stretching around the block, around the park, and past New York Avenue © Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump

© Frank H. Jump
Here is a kid that did what I should have done years ago – SELF-PUBLISH! I was pleased to see my website in his bibliography.

Matinees – Hotel Sterling – Wilkes-Barre, PA – © Vincenzo Aiosa
This sign was taken on the side of the abandoned Hotel Sterling on Market & River Streets and is possibly a remnant of Sylvester Poli’s Theatre. See Michael Johnnson’s Apertome for some other great shots of Wilkes-Barre and NEPA.
A new academic book on graffiti offers a far too uncritical look at the art form.
By Ben Adler
October 29, 2008

© Frank H. Jump
In his review of Graffiti Lives: Beyond the Tag in New York’s Urban Underground by Gregory Snyder, a sociologist and anthropologist at Baruch College in New York City – Adler asks:
So rather than attempting that, I wish that Snyder had devoted some space and energy to seriously examining questions he should have tackled: Can graffiti be harnessed as a force for social change? Do political pieces like this one [photo above] awaken the minds of the disengaged?

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